![]() ![]() ![]() The work’s forty-nine television sets display Paik’s groundbreaking music video Global Groove (1973), a colorful mix of avant-garde, pop, and commercial imagery and audio that connects cultures and combines traditional and contemporary sources. “It epitomizes one of Paik’s great strengths: the ability to revisit, permutate, and recombine ideas, images, and concepts into newly generative work.” “ TV Garden is one of Paik’s master works,” says Nitsche-Krupp. In this piece, television sets and live plants share a habitat. “ Replacing fresco reliefs with fast-paced electronic images asks for a stretch of your imagination, but his version touched upon the actual experience of images distributed via mass media and the staging of an entertainment spectacle.”ĭeeply influenced by the Buddhist belief that all things are interdependent, Paik created TV Garden as a futuristic landscape where technology would become an int e gral part of the natural world. “ His moving images occupy literally every corner of the space in a blurry, irreverent, and provocative way, remixing and summarizing his entire artistic career,” Frieling says. With its electronic visuals and booming audio, interspersed with periods of silence, the immersive installation stands in stark contrast to the experience of its namesake. Restaged here for the first time, Paik’s Sistine Chapel consists of fast-paced and overlapping images that completely cover the gallery walls and ceiling-one of the most underappreciated parts of architecture, according to Paik. “ Venice, the historic site of excessive riches of centuries of global commerce, provided the ideal stage for Paik’s updated take on the circulation of images and immaterial goods in contemporary society,” says Frieling. Paik, when invited with artist Hans Haacke to represent Germany at the 1993 Venice Biennale, reimagined the iconic Vatican landmark as it was before restoration, swapping its biblical references with p op stars and using more than forty state-of-the-art video projectors. Rome ’s Sistine Chapel underwent a substantial and widely debated restoration process in the 1980s. Below, find a guide to five that serve as entry points to his career, selected by Curator of Media Arts Rudolf Frieling and Assistant Curator of Media Arts Andrea Nitsche-Krupp. ![]() Nam June Paik, on view through October 3, 2021, is the first West Coast retrospective dedicat e d to the artist and brings together more than 200 of his works. “Someday,” he said in 1965, “artists will work with capacitors, resistors, and semi-conductors as they work today with brushes, violins, and junk.” Paik was a true and oftentimes humorous visionary who foresaw the importance of mass media and technology. Over his five-decade career, he worked with avant-garde artists and pop stars alike, and created groundbreaking video art, immersive installations, a family of TV robots, live broadcasts, participatory artwork s, and more. The playfully rebellious artist trained as a classical composer he sought to radically expand the parameters of art and defied genres and disciplines. Widely co nsidered the “father of video art,” Nam June Paik (193 2 – 2006) was born in what is now South Korea and spent much of his life in Japan, Germany, and the United States. Nam June Paik lying among televisions, Zürich, 1991 photo: Timm Rautert The “Father of Video Art” ![]()
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